The oldest of twelve children, Elizabeth was the first in her family born in England in over two hundred years. For centuries, the Barrett family, who were part Creole, had lived in Jamaica, where they owned sugar plantations and relied on slave labor.
Do not mock us; grief has made us unbelieving — We look up for God, but tears have made us blind. The scarcity of major poetic works that addressed nineteenth century child labour and working- class poverty is also discussed.
Extreme child poverty was rife and infant mortality was commonplace. Overcrowded housing, poor or absent sanitation facilities, unclean drinking water and deficient diets made the poor especially susceptible to disease - young children particularly 1 Elizabeth Barrett Browning: David Edwards writes that in s Liverpool, for example, the average age at death of females was a mere 23 years.
And although statutes in had limited the hours children worked, proper enforcement proved difficult. In a Times editorial was lamenting that, Children of the tenderest years should toil, amid every discomfort and agony of posture, and foul 4 atmosphere, for 15 or 16 successive hours, oftentimes for a long consecutive period.
Similar press comment helped to ensure that such hardship did not go unnoticed. Despite the prevalence of laissez-faire market economics and the Samuel Smiles Self-Help doctrine that dismissively ascribed individual poverty to personal moral failure, many people abhorred the suffering that accompanied the industrial growth and inventiveness of Victorian Britain.
Novelists and poets as advocates of reform As the century progressed, the role of Victorian novelists in propagating awareness of industrial distress was also significant. Certainly Charles Dickens sympathetically portrayed working-class extremity and a few of his widely-read novels, notably Hard Times and Little Dorritdepicted real domestic and labour-related hardship.
Fellow mid-century authors, notably Benjamin Disraeli e. Sybil,Mrs. Mary Bartonand Charles Kingsley e. He is acerbic about two pre-eminent poets - Robert Browning and Alfred Tennyson. Both of these men, he feels, found it difficult to move on from the Romanticism that had been dominant.
Working-class suffering was but one of several new challenges that competed for poetic attention in the mid-nineteenth century — a time of intense religious doubt brought about by unprecedented scientific change and revelation.
So to review the stance of this poem and the dogmas that Browning questioned. The basic position of the work is uncomplicated: Victorian coal-mine and factory children were being worked, sometimes literally, to death and were consequently deprived of their entitlement to joyous innocence - their very childhood was being stolen.
Culpability was not held to be the responsibility of any single segment of society. The first six stanzas portray the crippling, exhaustive effects of forced labour upon children and highlight some challenging ideas: The remaining stanzas focus upon the working conditions themselves and the children's heartrending sense of Divine abandonment.
The work closes with an impassioned plea for change. Everything about the poem is systematically devised to enhance its reform-focused effectiveness. Browning was unashamedly writing a political work with the single objective of highlighting a situation that merited urgent scrutiny and fundamental revision.
Her imagined readership would anyway be dominated by literate, liberal, middle-class individuals of potential influence who might be moved to advocate change. However, most of her readers would have been physically, intellectually, socially and emotionally detached from the reality of exploitative child labour to the extent that, aside from what they might have read in Commission reports, they would have had scant knowledge of real working 4 Elizabeth Barrett Browning: Within the poem, Browning appeals to the conscience of the reader by destabilising as will be discussed some of the doctrinal beliefs of middle-class Victorian life.
The lyric poem is organised into thirteen twelve-line stanzas exceptionally, stanza four comprises sixteen lineseach containing an ababcdcdefef rhyme pattern. Odd lines are generally formed as trimeters containing eleven or twelve syllables with even lines as dimeters seven or eight.
Metre is inconsistent yet the abundant tertius paeons dum-dum-dum-dum and anapaests dum-dum-dum simulate and reflect the rattling mechanisms that, within a textile factory or a mine, would provide the background clatters and resonances of looms, winding-engines or pumps against which conversation would be forced to compete.
The principle narrative persona acts as an eloquent rhetorician charged with exhorting readership or audience comprehension and endorsement of the views expressed.
The work seems to clamour to be articulated to a listening congregation. The use of interrogative rhetoric and the imperative mood to directly question and instruct is used powerfully, e.
Do you ask them why they stand Weeping sore before the bosoms of their mothers, In our happy Fatherland?Till child and maiden pressed to thine embrace To kiss upon thy lips a stainless fame. Sonnets from the Portuguese # Elizabeth Barrett Browning- Victorian - Iambic Pentameter-the women's I -mocking the portrayal of the weak fainting spells of women.
Child Labor Essay Examples. A Portrayal of the Horrors of Child Labor by Elizabeth Barrett Browning. 1, words. 2 pages. 2 pages. An Introduction to Different Forms of Child Labor.
1, words. 3 pages. An Analysis of a Study of Physical Child Abuse Through History. 1, words. 2 pages. A Review of Child Labor in Third World Countries. Download-Theses Mercredi 10 juin read this poet's poems.
Born in at Coxhoe Hall, Durham, England, Elizabeth Barrett Browning was an English poet of the Romantic leslutinsduphoenix.com oldest of twelve children, Elizabeth was the first in her family born in England in over two hundred years.
Soon, writers like Elizabeth Barrett Browning stepped to the head and raised public consciousness for the distressing conditions child labourers were subjected to.
When authorities probes into child labour revealed the rampant development of kids, Browning responded with a verse form created in understanding, taking the signifier of her verse form, The Cry of the Children. ELIZABETH BARRETT BROWNING (), English poet, wife of the poet Robert Browning, was born probably at Coxhoe Hall, Durham, for this was the home of her father and mother for some time after their marriage in