And during the Victorian period the people have lost faith in religion and the mankind had traded faith for science following the publication of "on the origin of species and the rise of Darwinism. Posted on by a guest.: This site was completely useless, no use whatsoever. Describe the historical events and the climate of the alienation and uncertainty that caused arnold to write Dover Beach.
Shakespeare Cliff, Dover, in Photo by John Mayin. Licensed under Creative Commons, courtesy Geograph. The sea is calm tonight. The tide is full, the moon lies fair Upon the straits; on the French coast, the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! Sophocles long ago Heard it on the Aegean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea.
The Sea of Faith Was once, too, at the full, and round earth's shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.
Background Edit "Dover Beach" was first published in in Arnold's collection New Poems, but surviving notes indicate its composition may have begun as early as The most likely date is And naked shingles of the world. Allott has Arnold in Dover in June and again in October of that year "on his return from his delayed continental honeymoon.
The beach, however, is bare, with only a hint of humanity in a light that "gleams and is gone"  Reflecting the traditional notion that the poem was written during Arnold's honeymoon see composition sectionone critic notes that "the speaker might be talking to his bride.
Arnold hears the sound of the sea as "the eternal note of sadness". Sophoclesa 5th century BC Greek playwright who wrote tragedies of fate and the will of the gods, also heard this same sound as he stood upon the shore of the Aegean Sea.
One critic sees a difference between Sophocles in the classical age of Greece interpreting the "note of sadness" humanistically, while Arnold in the industrial nineteenth century hears in this sound the retreat of religion and faith. This third stanza begins with an image not of sadness, but of "joyous fulness" similar in beauty to the image with which the poem opens.
Critics have varied on their interpretation of the first two lines of this stanza; one calls them a "perfunctory gesture Thucydides describes an ancient battle which occurred on a similar beach during the invasion of Sicily by the Athenians.
The battle took place at night; the attacking army became disoriented while fighting in the darkness and many of their soldiers inadvertently killed each other. The "darkling plain" of the final line has been described as Arnold's "central statement" of the human condition  A more recent critic has seen the final line as "only metaphor" and, thus, susceptible to the "uncertainty" of poetic language.
Exploring the dark terror that lies beneath his happiness in love, the speaker resolves to love - and exigencies of history and the nexus between lovers are the poem's real issues.
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Devoid of love and light the world is a maze of confusion left by 'retreating' faith. One critic saw the "darkling plain" with which the poem ends as comparable to the "naked shingles of the world.
Beginning in the present it shifts to the classical age of Greece, then with its concerns for the sea of faith it turns to Medieval Europe, before finally returning to the present. Critics have noted the careful diction in the opening description,  the overall, spell-binding rhythm and cadence of the poem  and the dramatic character of the poem.
Though the great song return no more There's keen delight in what we have: The rattle of pebbles on the shore Under the receding wave. So there stood Matthew Arnold and this girl With the cliffs of England crumbling away behind them, And he said to her, "Try to be true to me, And I'll do the same for you, for things are bad All over, etc.
What I mean to say is, She's really all right. I still see her once in a while And she always treats me right. In Dodie Smith 's novel, I Capture the Castlethe book's protagonist remarks that Debussy 's Clair de Lune reminds her of "Dover Beach" in the film adaptation of the novel, the character quotes or, rather, misquotes a line from the poem.
In Fahrenheitauthor Ray Bradbury has his protagonist Guy Montag read part of "Dover Beach" to his wife Mildred and her friends in order to show them what literature is about and why books should not be burnt.
Joseph Heller 's novel Catch alludes to the poem in the chapter "Havermyer": He also seems to have borrowed the main setting of his novella On Chesil Beach from Dover Beach, additionally playing with the fact that Arnold's poem was composed on his honeymoon see above.
The poem is mentioned in: Jakarta by Alice Munro.“Dover Beach” is a dramatic monologue of thirty-seven lines, divided into four unequal sections or “paragraphs” of fourteen, six, eight, and nine lines. In the title, “Beach” is more.
He opened a book and read the last two stanzas of "Dover Beach," a poem by Matthew Arnold. Today we will read the poem in its entirety, annotate it, and make connections between it and Fahrenheit Analysis on Dover BeachPosted on March 25, Explore how Matthew Arnold uses language to give us insights into the life of modern man in Dover Beach.
The life of modern mankind is presented very negatively and ignorantly by Matthew Arnold in the poem Dover Beach by the fact that religious faith evanesce with the Industrial Revolution. Dover Beach by Matthew leslutinsduphoenix.com sea is calm tonight.
The tide is full the moon lies fair Upon the straits on the French coast the light Gleams and is gone the cliffs of England. Page/5(58). 1] Arnold left behind a holograph copy of the first 28 lines of Dover Beach in manuscript notes on Empedocles on two loose sheets inserted into Thomas J.
Wise's copy of Arnold's Empedocles on Etna, now British Library Ashley A17, fol. 2r.(Words in a smaller size are Arnold's additions; and struck words and letters are his deletions.
discovery in the poetry of Matthew Arnold Gwendolyn Catherine Young Atlanta University These include the Marguerite series, “Dover Beach,” “Empedocles on Etna,” “Human Life,” and “Stanzas from the Grand Chartreuse.” That allusions to the central My analysis of the buried life problem proceeds.