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Keats felt a tranquil and continual joy in her song; and one morning he took his chair from the breakfast-table to the grass plot under a plum-tree, where he sat for two or three hours.
When he came into the house, I perceived he had some scraps of paper in his hand, and these he was quietly thrusting behind the books. On inquiry, I found these scraps, four or five in number, contained his poetic feeling on the song of our nightingale.
The writing was not well legible; and it was difficult to arrange the stanzas on so many scraps. It should be noted that Brown wrote his account almost twenty years after the event.
But the work was written hastily on scrap paper. It is clear that Keats did not anticipate writing such a lengthy poem when he took just two sheets of paper into the garden, — and he did not dare interrupt his writing to fetch more later.
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: O, for a draught of vintage! O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
Still wouldst thou sing, and I have ears in vain — To thy high requiem become a sod. Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Was it a vision, or a waking dream?
Fled is that music:Ode on Indolence is an exploration not only of the contrast between torpor ("indolence") and feeling ("pain" and "pleasure"), but also of time-related themes: does a . Disruption of biological rhythms essay planner portfolio essay paper essay and kinds of essay tribology research paper ari vainikka rhetorical essay buddhism in japan essay writing why am in college essay on the waterfront theme essays skriv et essay om tale og samtale qualities of good leaders essay car breaking down essay walden dissertation.
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A classic ode is structured in three major parts: the strophe, the antistrophe, and the epode.
Different forms such as the homostrophic ode and the irregular ode also exist. Different forms such as the homostrophic ode and the irregular ode also exist.
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Experience in college essay. essay ah1n1 que tipo de virus essay all but dissertation help holger kempkens. Theme of indolence explored in ‘ode on indolence’ ‘Ode on indolence’ is the praise of indolence/sluggishness; it makes the claim of the attractions of lethargy being more alluring than the attractions of the more active emotions of love, ambition and poetry.